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Nel ebbe inizio il processo: Cose mai viste Temperatura Rossellini 8 2. L MM il demonio It. L MMM gli ultimi It. L MMM banditi a orgosolo It. Uno viene catturato e portato in ospedale: I racconti della settimana 1.
Torna Pietro Macellaro con la sua pasticceria agricola. L MMM il gattoanovecode It. Alberto Angela 52 parla dello sbarco alleato ad Anzio, sulla costa laziale, nel Qui si imbatte nella misteriosa Simone Lawrence Baker viene trovato morto con un punteruolo nel cuore.
Ma durante il gioco vengono commessi veramente due omicidi e una terza persona scompare John il Rosso ha colpito ancora. L MM Loscugnizzo It.
Presto la ragazza ha una sorpresa: Ma Hipolito e Quintina sono irremovibili nelle loro posizioni e alla donna non resta che far buon viso a cattivo gioco Game Si conclude la prima settimana di doppia conduzione del game show. Al timone del programma, da domenica 12 aprile, Paolo Bonolis ha affiancato infatti Gerry Scotti.
Phoenix Un giovane newyorkese appena uscito dal carcere rientra in famiglia. IT sabato18 aprile Le sorelle Ginger e Brigitte, disperse nellaforesta,trovanorifugioinun villaggio indiano completamente distrutto. Intanto, i lupi mannari sono in agguato. Adamson mtv 8 Gamecon Gerry Scotti, Luca Laurenti Semifinale gara 1 1 Ma i nazisti resistono Un giorno vengono richiamati a sfidarsi sul ring per il match decisivo, abbandonato negli Anni 80 dal primo.
Van helSIng Usa di S. Il leggendario cacciatore di vampiri Van Helsing arriva in Transilvania: Si leva alle 6.
Lágrimas de cristal (Las chicas del Olimpo #1) by Elena Kedros
La trentenne Beatrix si diletta a disegnare delle bellisime storie per i ragazzi e non pensa al matrimonio. Migliaia i casi clinici trattati con successo, che lo rendono uno dei maggiori esperti internazionali in questo campo.
Auto Trofeo Pirelli gara1 dir. Ne sono rimasti colpiti anche il noto industriale Michele Mainaghi e sua figlia Beatrice. Stefania Sandrelli in un film di Antonio Pietrangeli che mostra le ombre del cinema italiano negli Anni La gara, trasmessa in diretta su Sky, va in onda su Raidue in differita di cinque ore.
Aryadna Gaia, ultima arrivata nel cast della telenovela spagnola, interpreta la vera Aurora, figlia della sfortunata levatrice e di Tristan. Nel cast, anche Mariangela Melato. Regia di Lina Wertmuller. RAI 4 ore Nei chilometri del percorso da Maastricht a Valkenburg i corridori affrontano ben 34 salite. Oggi si sfidano il team classificatosi al primo posto in questa stagione e il comune ripescato attraverso sorteggio.
Scattano le indagini, ma Tom deve tenere sotto controllo il fidanzato della vittima, che vuole farsi giustizia da solo. Lilli gruber, giornalista 58 ; Kate hudson, attrice 36 ; marisa Laurito, attrice 62 ; alessandro preziosi, attore Si comincia da Singapore.
Letture per la chiesa ambrosiana: Patrizio Roversi e Daniela Ferolla scendono in Irpinia per capire le molteplici tracce etnografiche di questa terra, collocata geograficamente in Campania, ma con radicatetradizionipugliesi,lucane,molisane,sannite. Dal parco eolico di Bisaccia fino ad Aquilonia, ricostruita dopo il terremoto del E poi riappare sua sorella Bea Lunetta Savino Inoltre, le sperimentazioni non autorizzate del Policlinico di Modena, le province, la tv albanese.
Quarto appuntamento del Mondiale sul circuito di Assen 4. Purtroppo il capo della polizia locale ha deciso di perseguitarlo. WillisBen e Katie stanno attraversando una fase delicata del loro rapporto. Decidono allora di approfittare delle vacanze dei figli per sperimentare la separazione.
Questi, interrogato da Patrick, promette rivelazioni su John il Rosso e sul rapimento di Kristina. Un omicida scarcerato per mancanza di prove viene ucciso. Una giornalista invita Jane a partecipare a un programma tv incentrato sul caso. Il reportage segue uno stormo di oche delle nevi, in volo attraverso il Nord America, che incrocia la sua rotta con la maestosa aquila calva. Fernando CarlosSerrano , cercandodiottenereipossedimentidelpadre, contatta un avvocato e Elena chiede un anticipo al suocapoperpagareidebiti, ma lui cerca di approfittare della situazione.
Intanto, Giulio scopre il problema di Elena e cerca di aiutara. Tizianatentailsuicidio,mentre Alberto viene arrestato. Il giornalista lombardo cerca di distinguersi nel panorama televisivo italiano, analizzando il contrasto tra i cittadini e il potere politico. Tenero e ingenuo, viene adottato dalla famiglia di Kim. Accompagnato da Pitagora e Hercules, si mette sulle tracce della giovane Un anno di storia italiana: Purefoy Mtv 8 Neri rai 5 23 L MM la nave Dei Sogni: Ma, nonostante il successo al lavoro, la donna conduce una vita solitaria e Gli scienziati devono indagare sulla scoperta di una nave spaziale intrappolata tra i ghiacci.
Hudson LMM Helen Harris, giovane single in carriera, si trova costretta a occuparsi dei suoi tre nipoti. A darle una mano arriva il pastore Dan Jenkins, preside della scuola dei ragazzi C 1 Palermo - Genoa dir.
L MMM stoker G. Ma poi la donna viene uccisa. Beckett si occupa delle indagini. Scopriremo dove abitano, come si svolge la loro giornata nei campi e cosa cercano in una donna. Fiennes Underwood, dopo aver vinto le elezioni in Iowa, torna a Washington dove si confronta con Claire.
Nel mondo surreale e immaginario di Everealm, i protagonisti affronteranno prove fisiche per aggiudicarsi il titolo di vero eroe. Ottimo il cast dove spiccano James Coburn e Maximilian Schell. Per la prima volta si ritrovano sul set Jack Nicholson e Morgan Freeman: Protagonisti, alcuni trentenni con problemi di cuore. Alvin e Anna Tatangelo nel ruolo di inviati. Un detective accusato di omicidio si fa in quattro per dimostrare la sua innocenza.
Peter Falk e Ann Margret in un divertente omaggio ai film polizieschi degli Anni Ritroveremo i protagonisti di sempre tra gli altri, Lena Headey e tante nuove entrate. Maria, messaallestrette,cedealricatto,promettendo alla rivale di togliersi di mezzo. Sandro sembra voler vivere la sua storia con Claudio senza troppi pensieri, ma gli capita uno spiacevole episodio.
Giovanna tenta la fuga dal suo crudele rapitore. Raffaele, Ornella, Otello e Teresa restano coinvolti in un carosello di buffe ripicche. Cose mai viste William A. Wellman Il desiderio di diventare cinema 8 1.
Per sfuggire ai bombardamenti una giovane vedova si rifugia sui monti della Ciociaria assieme alla figlia. Le attende una terribile esperienza. Tra i conduttori storici si ricordano Luca Giurato e Livia Azzariti. E ancora, Juliana Moreira e Pamela Prati si misurano nel can-can. Al via la nuova edizione del programma, in cui Barbara De Rossi 54 racconta storie di donne vittime di violenza.
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Stasera si parla di Barbara, per anni maltrattata dal proprio uomo, e di Mariella Anastasi, che per 20 anni ha subito il comportamento violento del marito. Natalia scopre che Nick ha chiesto a Valera di uscire con lui. I sospetti della polizia si concentrano sul fidanzato della proprietaria della vettura, un marinaio di nome Jost. Poi, per precauzione, decide di eliminare anche il complice. Colombo deve fare luce sul caso. Niklas cerca un appartamento in cui andare a vivere con Patrizia una volta sposati.
Intanto, in hotel arriva la baronessa von Kalmoor. Si occupa attivamente di problematiche giuridiche e sociali delle relazioni familiari e dei soggetti vulnerabili.
Hipolito e Quintina propongono a Mauricio di fargli da testimone di nozze. Qualcuno di loro, ospitato in studio, ha ricevuto al termine della puntata delle proposte di lavoro, giunte via email durante la serata. Al via un nuovo show in cinque serate, diretto da Federico Moccia, che vuole raccontare delle storie di sentimenti in cui accade di tutto: Inviati Anna Tatangelo 28 e Alvin, che raccolgono i messaggi e le dichiarazioni dei protagonisti.
Meek rai 5 23 Game real time 31 8. Ma gli esperimenti trasformano le cavie in micidiali macchine per uccidere. Si leva alle 7. Tutti i successi DreamWorks in Edizione Originale con ricchi contenuti speciali! Ogni settimana un dvd maledettamente imperdibile! La similitudine allegorica mi risporta al traduttore-esegeta. Vedi anche Annalisa Buonocore. Dialettali e Neo dialettali in Inglese. Prefazione di Cosma Siani. Edizioni Cofine, Roma, Born in in Santarcangelo di Romagna, Raffaello Baldini pub- lished six poetry collections, all written in the romagnolo dialect of Italian: Intercity, was published by Einaudi in Baldini wrote three theatrical mono- logues: Carta canta, Zitti tutti!
They do not accompany him up onto the stage to confront the huckster-performer wearing the shabby jacket?
After fleeing the lower levels of the theater that has flooded with water, the narrator climbs flight-of-stairs after flight-of-stairs, opens door after door, and meets a card-reader with cards all laid out on a table; is this card-reader a man or a woman? The translator wants to get this exactly right. How can I explain it? He was in great pain.
Each word cost him. Not a small plate. Not a huge plate. Is this an evocation of a particular line of po- etry? The verb tenses must be changed: His most recent collection was awarded the Campana Prize.
Solitude, Outsider, Small Talk. Each poem moves towards and resists Death. His narrators also wander into anacoluthon, that is to say ending a sentence with a different structure from that with which it began. His poems employ the rhetorical techniques that form the backbone of argu- ment: The rhetorical techniques of argument are defined in this way: The translator read it late one night, intending to phone the next day to ask if it was possible to get a copy of the music.
There was a message on the answering machine. The translator was feeding paper into a printer, catching yet more errors.
Cartridge out of ink. A computer talking back: White stacks on floor, packages prepared for release to known addressees to reach the unknown interlocutor.
The window was open in Milan. Here it is, he said. I go ahead and just let him say it: This is an order! Do you need glasses? I was soaked, a faucet? Damn, could he have hypnotized me too? Small Talk I had bad dreams all night, all these snakes, how did you make this coffee?
I was just about do go down to see you, and so have you finished the skirt? I say that, what are they racking their brains about? He is cur- rently on the faculty at Bennington College, where he teaches Italian literature. Journal of Italian Translation, Vol. David Fincher: Films That Scar. The main reason is translation. The English in the translation of the novel regularly tends to- wards the very linguistic medietas Gadda takes every possible step to avoid.
It also offers extensive com- mentary in the form of linear notes. The importance of the linguistic elaboration, indisputable in Gadda, are of primary concern to the translator. Much effort is being made in the present version to preserve the diatypes lexical variety of the original, where possible.
Given the impossibility of translating into another language the aura parlativa peculiar to an environment, the translator must, however, try to conserve, in some way, the heterogeneity of registers that the introduction of colloquialisms and dialects represents. This new translation is a small part of the renewed understanding of this great literary work. Synopsis In Fascist Rome the novel takes place in , the young police in- spector Francesco Ingravallo called don Ciccio for short , a detective-phi- losopher from the southern Italian region of Molise, is called on to investi- gate a jewel theft that has taken place in an apartment building at , Via Merulana.
In the building lives a couple, Remo and Liliana Balducci, friends of Ingravallo: Three days after the robbery, whose investigation is so far inconclusive, Ingravallo is shocked by the news that Signora Balducci has been found murdered in her home. He rushes to the scene and takes part in the preliminary inquiry, wondering whether there is any link between the two crimes.
It also abounds indirectly, via remembered citations from others in speech from the mur- dered Liliana Balducci — an anomaly in a novel where the Signora is central, though largely silent. Ceccherelli, backed by the other two, corroborated down to the last detail both the order received by the poor Signora, more than two months before, and the sundry phases of the readying of the fob: In all honesty, I just focus on doing my job, as above board as possible. Anyway just to be on the safe side, I chucked it right in this special drawer here I got for that stuff, just right as soon as I got it pried out of the setting with the pliers, without even laying a pinky on it, like.
The pliers I ran over to the barber to have disinfected with alcohol: E come un cappone in mezzo a tanti galli! Il ciondolo doveva consegnarlo a Giuliano in persona. Il cassiere—capo ragionier Del Bo conosceva Liliana: Like a capon in the middle of a bunch of roosters! The one you estimated at two thousand lire? I want to give that one away as a present. The one you figured was worth nine and a half thousand? You know to whom I mean! Liliana herself had insisted on explaining everything to Amaldi: Ceccherelli traced with the nail of his little finger the clean contour of the stone, green, seal mounted, that is to say slightly overhanging the setting, and backed with a thin gold plate, in order to hide and encase the uncut face.
Easier said than done. But after those three depositions in his defense by the three jewelers, that were middling enough, there was the one, better still, by the head teller of the bank: According to the bank balance on the savings account passbooks , it turned out that Liliana had withdrawn the ten thousand lire there, just on January Del Bo, the head teller, knew Liliana: Oh yes, he remembered it like yesterday: Una bella signora come lei.
Domenica 20, nella mattinata, ulteriori indicazioni del Balducci ai due funzionari: Ed ecco il dente. In dieci anni de matrimo- nio, a momenti, che, che! I medici aveveno parlato chiaro: Nice little smell, just take a whiff. Fresh from the Mint.
I practically played the part of mother when he was a baby. The table, in fact, overflowed onto the shelves, and from there to the cabinets: All smoky and stifling, the charming Cacco atmosphere, in a syn- cretic little fragrance sort of like a barracks or the upper gallery of the Teatro Jovinelli: Beat the tower of Babel on a shopping day.
La Ragazze dell' Olimpo
In ten years of marriage, almost, not even a token: The doctors had laid it on the line: So that out of those ongoing disappointments, those ten years, or nearly, where the pain, the humiliation, desperation and tears had put down roots; from those use- less years of her beauty those sighs dated, those ahs, those long glances at every woman, not to mention the ones with a baby in the oven! Er maschietto nostro de quattro chili: Avemo preso li passi avanti Ragguagli e rapporti di subalterni, parole e carta scritta: She looked at the girls; returned, in a flash as by deep-felt, despondent signal, the bold glances of young men: The pure assent of a fraternal soul: But out of the dark manger the years stampeded, one after the other, into nothingness.
That mania… for forking out double bed-sheets to the maids, insisting on putting up dowries, push- ing folks who asked for nothing better to tie the knot: Ate her heart out: Our eight pound kiddo, two pounds a month. The bride, poor kid, comes in with her guy, preceded by a belly like a hot air balloon at the fireworks at San Giovanni. Naturally they were a little embarrassed. I say to them, laughing: It was at this point, his face ashen, that Ingravallo begged leave to shove off: Reports and memoranda from subordinates, voiced or in writing: Femmine tutte, e nel ricordo e nella speranza, e nel pallore duro o ostinato della reticenza e nella porpora del non—confiteor: Roberto De Lucca shoulders sagging, with a bearing that seemed tired, absorbed.
He saw him pull a pack of cigarettes from his pocket, engrossed in unknown cares. The door closed behind him. Even that notion of wanting to die if no kid came: And now from the talk of the husband, made garrulous by hardship, by his sense of being at the center of attention and collective commiseration A hunter, he was! Saw himself tramping in with a bagged hare, shouldering his gun, muddied boots, panting hounds , needing to get it off his chest after the blow: Buttafavi and Alda Pernetti stairway A , whose brother counted for an extra six.
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Females all, demon- strating that widespread sensitiveness, in consequence: Females all, both in memory and hope, and in the hard, stubborn pallor of their reticence and the purple of the non-confiteor which dottor Fumi, those days, was soliciting them to recall in detail, with the courtesy and tact which set him apart during the whole of a long and busy career the just reward of which, today, is his nomination to the position of sub-prefect of Lucunaro, adnuente Gasparo: His latest book of translations is From Adam to Adam: Giorgio Roberti Poet, essayist, translator, editor, founder and presi- dent for thirty years of the Centro Romanesco Trilussa, Giorgio Roberti energetically promoted Romanesco language, culture and poetry.
His translation into Romanesco of Er Vangelo seconno S. Marco has been much praised and often reprinted. Note on translation G. Belli, writing sonnets in Romanesco in the early nineteenth cen- tury, gave an example for Italian poets with his sonnets that showed how dialect could convey the energy of conversation more effectively than stan- dard language.
We translators of dialect into English in the United States do not have dialects to convey that energy precisely, so we try to make our verse sound like people talking. This would seem impossible for A Stick in the Eye, a story over twenty-seven centuries old, but Roberti helps with his deft details and his sudden shifts of style, and makes translating his poem a pleasure, though difficult.
You call your country Greater Greece, because you dine on greater grease I guess--and stronger wine! Tell me what your name is. Anyone will swear I am. But are you single? Do you have a wife? Hitched to the single life. Then the poor fool fell, fell like a stone, like a bull with his throat cut in the Colosseum at a festival.
Some promised they were able to slip him a little gift beneath the table; and others talked about friends in high places. Like it or like it not, when all talk ended, all that the lottery threw up were four pathetic bastards no one ever protected. E mentre Lui strillava la natura diventava rugosa e penzierosa: Chi te fa piagne come un regazzino? Nessuno che me leva, sarvognuno, tutto er punto de vista personale Furious, frantic, fast, Ulysses struck it deeper and turned it like a merry-go-round.
At once that moribund volcano hurled forth great eye fragments and little wads of jell out of his monster brain. He yelled a yell enough to raise goose pimples on the world. As he was screaming, Mother Nature frowned, wrinkling her great face, and started to stir and raised up mountains from the level ground.
Beholding earth beneath them relandscaped, many a luminous, uneasy star turned into a comet and escaped. Are you all right? Why have you pulled your cave door shut and hid yourself away from us and out of sight? No One, god damn it! Then, hey, shut the fuck up and quit your belly aching. E le stelle me dicheno: He has published two po- etry chapbooks: His poetry has been included in numerous anthologies and published in local, regional and national magazines and newspapers.
His principal works include: Note on translation The dialect I have translated is referred to by local people as Lancianese, that is the language of Lanciano, a city of 30, inhabitants in Abruzzo. Although people familiar with Abruzzese dialects in general have proved helpful, at times I needed to consult with people who grew up in Lanciano in order to obtain the full flavor of a particular word or expression.
Lancianese, like all languages, has evolved over time. Some words and expressions are now extinct. Only go backwards or even better stay nailed to the spot where you find yourself! Love and song My love, I would compose for you a song one of those hammered and forged in fire, polished the way it should be and blended with notes that are shiny and passionate.
I speak and afterwards you speak And what do we say? My Life My life: A sky that often has a hole that at certain times makes like a small window: A wind that, sometimes, if it stops leaves the dry leaves by my feet; What do you find that is good? Of a rose the only thing that you can pick up is a leaf! A brooklet, even that at times, leaves the stains of melancholy and goes, without getting dirty with mud, singing all by itself along the way.
The Song To those who no longer sing, the spirit of life is tasteless To those who sing more, the voice of the heart gets more flavor Concetta I Concetta, your petticoat is too hot swinging every which way as you walk!
Cuncette, nche ssu passe vacce piane: Lanciane Bande e campane! Concetta, step more softly as you go: Concetta, my God, why are you running? Take it easy as you walk or the folds of your dress will not fall right! Lanciano Bands and bells! Here is my dear Lanciano exactly the way it is. Snow All ruffled and with those tiny eyes soaked through and through, that wee bitty sparrow under that snowfall, wretched little thing, looked up at the sky and gave out a cry.
He looked for pity from saints and angels at least to keep the snow off of the roof? Bagpipes Snow falls and I hear the sound of footsteps; it is really him, it is the piper that, when I was a kid, just seeing him for me was a good time beyond compare!
But how goes it, if one -- is the bagpipe and the other one -- is the song one sings why, why, do the oncoming years go by more than the festival shines through my tears?
He has published articles on Luzi, Montale, Tobino, and film. His translation focuses on Paolo Ruffilli and Davide Rondoni. In these ca- pacities, Rondoni has his finger on the pulse of Italian poetry.
Three problems present themselves. First, as a translator, I feel humbled and unnecessary: Second, in this lyric unpretentiousness, cultural- linguistic differences arise. How does one reproduce the cadences that follow a rhythm found somewhere between thought and dialogue? How does one translate a word that simultaneously exists as the beginning of a new thought as much as it exists as a continuation of a previous thought?
Central Park, fine autunno, alberi di seta elettrica e color sangue nel freddo azzurro del cielo che salgono si aprono poi piano che si spengono, ombra che sta venendo, aria che si oscura.
Io chiedo a Oonagh: Senti che grida di barche invisibili. Cosa succede in questa poesia? And it starts, the frosty crown of the skyscrapers, to glisten on the more somber throng in the streets. You hear the shouts from invisible boats. In the dark bay. What is it that happens in this poem? Ripartirai con un lieve turbamento, quasi un ricordo e i silenzi delle scansie di oggetti, dei benzinai, dei loro berretti, sentirai alle tue spalle leggero divenire un canto.
Non ho avuto gradoni di pietra su cui disteso perdere sotto il sole il lume della mente, addormentando. My son, my traveler, your hell, your virtue might be your dog-like or angel-like hearing that detects the turning of the planets and a pill falling into a cup two floors below, where two seniors citizens attend to each other.
This roaring love will be your father, your real one. Stop off for a spell in this highway rest-area, from the darkness it will be a pleasure to see you again I had avenues, wide, noisy streets, tall trajectories of by-passes, the open arms of a poor mother veins through which all sorts of things come into the city. I had tree-lined avenues or swift bouts of vertigo between steel walls and tinted glass.
But during the night, when night does come, they recast themselves, new avenues shadowy, lonely avenues, when tall streetlamps illuminate them and the latest adverts fade out.
Then they move delicately, branching, perhaps the whole city turns on itself; some end at a castle, others at a cathedral, others dissolve beneath the orange lights of a highway junction — the avenues breath in the night with their wide black plane-trees, their subway gates and sad, singsong lullaby sleeping over the children.
E mentre lui cadeva tu bruciavi maternamente. And as he fell you burned maternally. But your arms on the windowsill before turning back to carbon and in a recollection were comets, Brooklyn bridges of love in the night outside of Milan. And I have taken them [from you, lady, leave those arms to this faraway dance, to the music that I and you from two shores in the shadows eternally share. The guy who for the whole trip stares at the sealed bag in front of him, the girl with the dyed hair and a pierced lip who wants to tell her life story to a stranger.
Leggo nella rivista delle Ferrovie: Materia che non crede a se stessa — come questi viaggiatori, nel sonno che ingigantisce i vagoni nella sera. I read in the Railway magazine: Matter that does not believe in its own being — like these travelers, in a slumber that amplifies the train cars in the evening. She was also awarded an NEA in translation.
Raffaele Carrieri was born in Taranto, and lived a vaga- bond life in his teens and early twenties. He was only 15 when he was wounded, a serious injury to his left hand. He went back to Taranto, but after a brief stay, he sailed again around the Mediterranean visiting various ports including those along the coast of Africa. He worked at many jobs to support him- self, and on his return to Italy, worked as tax collector for two years. It was during these two years that he started writing poetry, the poems that were collected in Lamento del gabelliere In he went to Paris where he lived for several years among the poets and painters of the time, and where he started writing articles about his travels.
He settled for good in Milan , and worked as art critic. In addition to several books of poetry, some of which won awards, including the Premio Viareggio, he wrote many books of art criticism, and biographies and studies of poets, sculptors and painters. Translating Carrieri In the poems that I translated Carrieri uses many of his briefly in- habited identities as masks, creating a multiplicity of selves: At times, he even identifies with the inanimate. The adolescent search for identity is given body, substance, voice.
And all the personae have some- thing in common but are also different. In translating his work, the challenge was in creating a voice that sounded like the Carrieri in my head: A man who often looks over his shoulder, and narrowly escapes; who comes face to face with death and is seriously wounded, his wounded, damaged hand giving him yet another identity.
But also a weary man of no age, or even old, who expects nothing, wants nothing. The challenge was to create this voice, but also to preserve the variation in tone from poem to poem, the simplicity or complexity of narrative, the muted mu- sic.
Their short takes and sharp images. Their impatient, hurried runs. Also, the shade and connotations are slightly different in English. In poems such as these, there is no room to move. Like the poet, I put my trust in the image.
Vedevo sul comodino La ciotola di latte Riempirsi di tenebra E questo ancora vedere E distinguere il bianco Dal nero mi dava piacere. Altro non ricordo Di quella sera. Piccola morte So questo, era un soldato Con un paio di scarpe nuove Che accanto gli stavano A vegliarlo giorno e notte.
Each of us knew It was the last evening. My eye and the bowl Were links In the same chain. The day after I survived the other. Small Death I know this: He was shot in the chest And every time he coughed He turned his sky-blue eyes To look at the shoes That watched like dogs The infirmary cot.
He died at five in the morning Saying only these words: Non ho niente Non ho niente Proprio niente Che sia mio. Anche le mani Hanno cessato Di essere mie. Even my hands Have ceased to be mine. They belong to this bony gun which in the dark resembles me. Waiting for Nothing Light has not been my friend On the earth nor water my sister. The amiable rain water That like a mother puts to sleep The old tax collector And the young frog.
I would have liked to close the sky Like a simple door To remain all day Hidden in the grass Waiting for nothing. Journal of Italian Translation Poems in English by Rina Ferrarelli translated into Italian Dreamsearch I was back in that other country again last night those narrow streets familiar and strange.
I walked on the worn stone in the shadow of houses looking for a door looking for a face and again I woke up too soon. Back to the Source Granite and river stone worn by walking, wide sloping steps with short rises the steep descent but not the straight path of a torrent sharp turns and small wide bends where walls jut out alleys come in I always go up in my dreams upstream back to the source.
At your features, your expression. She wanted you to smile off the frame, inside the frame and sometimes you did. Divestiture She unpinned the folds of white linen eloquent of place, loosened the loops and braided knots, and combed her hair into a bun. She untied her apron, took off one by one the pleated skirts, the black jacket with wide velvet cuffs, the padded camisole, the long shirt articulate with lace. Then stepped into a dress skimpier than a slip, and naked, exposed like that, my grandmother came to America.
Linens Plain weaves, twills and herringbones, woven at home linen on linen, linen on cotton. Some are still uncut—a band of warp threads separating one napkin, one towel from the other—but most are decorated with needlepoint lace. Nei tuoi lineamenti, la tua espressione. Gli altri sono tutti ricamati ad intaglio. My mother, the more delicate one, the one who wanted to get away, sat where the light fell on her hands, and pulling out the weft threads her sister had worked into a tight fabric, restructured the space with floss, white on white openwork borders, arabesqued windows.
Rough- or fine-textured, the linens I was saving were meant to survive soaking in hot water and ashes, milling on the rocks.
I machine wash them and when the weather is good, hang them outside, the way women still do over there, stretching them into shape while damp. Most are holding up well; a few show signs of wear, but not from use.
It was keeping them safe in a trunk for so many years that weakened the fabric. The Bridge Progress has finally come to the forgotten South. A new superstrada wide and straight as none before bypasses the shelf of road the sharp-angled bridge.
The cross by the roadside reminds the few of us who remember fewer all the time of the men who died there hitting the rocks of the stream when their truck went off the road. Seven men who knew how to do without how to turn in a small place taking nothing for granted.
The bridge is crumbling purple flowers grow out of the wall. Ruvidi o fini, i panni che conservavo erano fatti per superare le prove del ranno e delle pietre. Sette uomini che sapevano far senza, che si muovevano nello stesso piccolo spazio senza prendere niente per scontato.
Il ponte si sta sgretolando, fiori viola spuntano dal muro. Broomflowers Chrome yellow against green stems in bunches on the reddish dirt even-spaced rows like a pattern on a quilt. Is this new or have I forgotten as I forgot the nightingale singing in the trees below the wall— what did I know then about nightingales— the row of stones holding the tiles down at the edge of the roof? On the breeze a whiff of their scent, delicate pleasing.
The sun is down now, the sky turning indigo, but their yellow endures on the slope below the parapet. Inside rough bouquets in earthenware jars.
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Sussurravano i pioppi del Rio Salto. Hoon tells le ragazze dellolimpo friends to have met Morpheus in a dream God has freed himself of the Power of Dreams to drop le ragazze dellolimpo in the hands of Ares and has hidden on Earth, in the park Blustery Hill, in a secret labyrinth that is discovered by the three goddesses.
Danilo Gallo aspassonellastoriaconalbertoangela sempRe sul campo Alberto Angela 53 anni davanti a un carro armato americano sherman della seconda guerra mondiale utilizzato in trasmissione per ricostruire lo sbarco di anzio. But also a weary man of no age, or even old, who expects nothing, wants nothing. Marco has been much praised and often reprinted.
Castles of the Inner , , KB. Dentro casa mazzi alla buona in vasi di terracotta. Chock full of assembly and disassembly pictures and instructions on almost every page. Lancianese, like all languages, has evolved over time.